![]() The Sony 28mm f/2 is sharp, especially in the middle of the frame, but it does fade toward the edges of the frame at the widest apertures. Sony 28mm f/2 image sample | Credit: Marc Bergreenĭon’t expect a lot of bokeh with this lens simply because of its wide-angle lens perspective, but it does offer some background separation if your subject is close to the camera. The wide f/2 maximum aperture makes shooting fast moving subjects in low light very doable. This lens is especially compact, which also makes it less intimidating for photographing people because you’re not using a “big camera.” This is why people love it for street photography.Įven at a lower price point, this lens offers solid performance. Some photographers find it more versatile than the 35mm when shooting indoors. The 28mm focal length is a close second to the 35mm among street photography enthusiasts and photojournalists. Sure, it has some flaws, but the price makes it so appealing! I don’t have to worry about it as much, and it makes the Sony A7R IV a reasonable everyday carry camera. Initially, I passed over this lens because it was older, and I had the focal length covered with a 16-35, but I have come to love how small and inexpensive it is. It is super fast, lightweight, and quite inexpensive! For the price, the performance is superb. Released in 2015, the Sony 28mm f/2 is aging but still makes this list because of several qualities. It is weather sealed, but I don’t recommend taking photos in a downpour. The only time I have experienced any trouble is when heavy rain gets between the lens and the camera body. I have dropped it on two occasions, and it has held up to the abuse very well. The Sony 16-35mm f/2.8 has a metal barrel with nice feeling rubber around the zoom & focus rings. They are well paired in terms of quality. ![]() In terms of build quality, this lens for Sony A7R IV camera bodies is excellent. Chromatic aberration and distortion are very well controlled. In addition to the focal length variety, the Sony 16-35mm f/2.8 is very sharp throughout the aperture range and produces excellent quality images. This zoom range is especially nice on wide angle lenses because it changes the look significantly.Īs much as I can, I opt to shoot closer to 35mm to keep the distortion to a minimum giving a more natural feel, but sometimes you just need a super wide view, making 16mm very nice to have. It has the ability to capture a wide scene which pairs nicely with the incredible detail of the 61mp sensor of the Sony A7R IV.Īdditionally, the Sony 16-35mm f/2.8 can be used at the zoomed in focal length of 35mm to capture less distorted, more natural feeling images. Some people find this to be a little too wide angle for an all around zoom lens but my image library shows this lens to be super effective!īecause the Sony A7R IV is so well suited to landscape photographers, the Sony 16-35mm f/2.8 will be a very popular choice. It’s a longtime favorite ultra wide angle lens that makes for a versatile all day lens for shooting landscapes, action sports, and events. ![]() The Sony 16-35mm f/2.8 is my number one lens choice for the Sony A7R IV when it comes to wide angle lenses. Sony FE 16-35mm f/2.8 GM | Best Wide Angle Zoom Lens for Sony a7R IV Linear Motor For Precise, Quiet Focusingġ.What are the Best Lenses for Sony a7R IV in 2023? Image
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